You Must Be Pulling My String
Mansfield Depot Section of Mansfield (Google Maps Location)
August 25, 2007
“Master of puppets I’m pulling your strings
Twisting your mind and smashing your dreams
Blinded by me, you can’t see a thing
Just call my name, `cause I’ll hear you scream
CTMQ co-founder (then immediate deserter) EdHill and I were still coming off the high of the Special Joys Doll Museum visit when we arrived at the next destination of our day-long MegaQuest up Route 44 and then out to Willimantic. It’s pretty funny when you stop to think about it; there is a puppet museum about 12 minutes up Route 44 from a weird doll museum. And I am fortunate enough to have been to both… within an hour.
First, I’ll set the scene: The University of Connecticut – Depot Campus. UConn is in Storrs, which isn’t even really a town at all. All that you’ve heard about cows and trees is totally true. (Though, thanks to the billion dollars the state poured into it since 2000, it’s a beautiful campus.) But that’s not where the Ballard Museum of Puppetry is situated…
About five miles West of campus lies what is known as the Depot Campus. When I attended UConn, this was known as “Those decrepit abandoned buildings out by the prison.” By the looks of it, that description is still apt for the majority of the buildings there today. But those buildings have a rather sad (and sadly recent) history:
The Depot Campus used to be the Mansfield Training School (MTS), a facility for mentally retarded persons starting around 1900. It closed in 1993, after a number of lawsuits regarding the care of persons with mental disabilities and as the state established more group homes for former MTS residents. The portion on the south side of Route 44 became part of the University. The buildings on the north side became the Donald T. Bergin Correctional Institution. The University has repaired buildings at the Depot Campus as resources have become available.
There are several offices and storage facilities over there these days, including Human Resources, the Puppetry Museum, the Fuel Cell Institute, and of course, some intramural and recreation fields.
Ah yes, the Puppetry Museum. I guess now would be a good time to mention that UConn actually offers a Masters degree in Puppetry – the only school in the US to do so. Go Huskies! I’d also guess it’s the only school with a Puppetry Museum on campus… well, on the five miles away former home of an archaic school for the developmentally challenged, anyway.
Ed and I found the museum and parked. As we were gathering our cameras and other museum visiting implements, we both noticed a human figure in the picture window. We couldn’t tell if he/she was looking out at us or even if he/she was human (rather than a giant puppet). So we both stopped and sort of stared at the figure… until after about 20 seconds.
Because at that point she moved away – 20 seconds is a very, very long time to have stared at someone who, due to sunlight conditions, was able to see us just fine. Whatever, she would be happy to have visitors at any rate, right?
You bet. We entered the museum and were, um, how do I say this? We were attacked by a witch puppet. What was weird about it was that the woman who’d been staring at us, refused to break the witch character for far too long. She kept batting at us with the little puppet arm and cackling while standing right in front of us. Hoo boy, this was going to be fun!
(Lest you want to stop at this point – it WAS fun.) The staring witch lady would be our tour guide, so let’s get to it! The museum is divided into two parts, as best as I can tell. One is the ever-changing exhibits (which change two or three times per year, I’d guess) and then the permanent collection. We were led to the current exhibit which was a rather impressive display of the rich and extensive history of shadow puppetry.
I found the definition of shadow puppetry to be somewhat loose but then again, my UConn degree is in biology, not puppetry. From the museum website, shadow puppets are: “Puppets used to cast shadows onto a projection surface of some type, so that the audience sees the shadow of the figure rather than the figure itself. The two main types are Direct Shadows – figures placed directly on the shadow screen – and Projected Shadows – those which are constructed on plates of glass or acetate and projected onto the shadow surface with an overhead projector.”
There were displays of these types of puppets from all over the Asian and European worlds. Some were authentic, some not. Some countries represented were India, Turkey, Indonesia, and Greece. Some were incredibly rudimentary and some were incredibly beautiful and ornate.
There was a whole section from Bali called Wayang Kulit. In their (Muslim) culture, no human figures could be replicated so all the “people” have bird-like heads. I typically put my related links below the reports, but this Wayang Kulit show is simply too nuts to hide down below. Be sure to have your volumes turned down to experience the beautiful solemn experience of a shadow puppet show from Indonesia.
After the fun of the shadow puppets was the fun of the “Try-It” room. We didn’t have the time (or the skill) to make our own puppets, but that craft is available. (The docent seemed a bit off-put by my suggestion that Ed and I give it a go, as I believe it’s usually reserved for younger kids.) But there was a cool “shadow-light” screen to have fun with and a bunch of handy guides of hand animal shadows. The witch lady was very good at some of them.
For us lazy types, the museum supplied cardboard cut-outs of some of the more complicated hand shadow forms. Ed and I used these to put on a short play:
Jesus Loves Rabbits, A Play in 2 Acts
From there, we moved over to the permanant display of puppets. I will not do the place justice at this point, mainly because Ed and I were being childish and not paying close attention. Frank Ballard (the museum’s namesake) is apparently a very big deal in American puppetry. He has created many, many “famous” puppets and knows (or knew) many other “famous” puppeteers.
Such as? Such as Bill Baird. Bill Baird? With Cora Baird, perhaps the most prolific producers of marionettes in New York City. He designed big and bold puppets and had a unique and distinctive style of design and motion. Baird’s career included Broadway shows and films. He wrote The “Art of the Puppet”. A permanent theater in N.Y. from 1966-1978 was a New York landmark. He made the goats from “Sound of Music.” Yes, that Bill Baird.
There was also some Howdy Doody stuff and some rather impressive work by Mr. Ballard himself. He did a whole H.M.S. Pinafore show and those characters were on display as well. Then there was the Sydney Chrystler display… He was an eccentric local man (from Chaplin, CT) who spent his entire life making incredibly detailed mini puppet sets. The one we saw was a massive Roman set. The problem was that it was actually really not very good at all.
When I politely suggested this to the docent, she politely agreed wholeheartedly. Regardless, Ed and I took note of the nice little theater across the room – and hey, there were three random older women sitting there watching a movie on Frank Ballard. Odd. They paid us absolutely no mind as we began firing off pictures and being goofy once left to our own devices. (This TV can been seen at the Multimedia List here
Ed and I snaked back through the entire two room museum to absorb it all… then checked out the gift shop area. As you’d imagine, there are a lot of puppets for sale. And dangit if we didn’t play with half of them. We had great fun at the Ballard Puppet Museum and you should definitely stop by and check it out if you’re ever in the area with time to kill. The docent who at first seemed a little weird turned out to be yet another wonderful museum person I’ve met on my journey thus far. For her, I present the following montage, with the lyrics to that oldie but goodie, “I’m Your Puppet.” Please note our friend’s cameo at the end!
Pull the string and I’ll wink at you, I’m your puppet
I’ll do funny things if you want me to, I’m your puppet
I’ll be yours to have and to hold
Darling you’ve got full control of your puppet
Pull another string and I’ll kiss your lips, I’m your puppet
Snap your finger and I’ll turn you some flips, I’m your puppet
Your every wish is my command
All you gotta do is wiggle your little hand
I’m your puppet, I’m your puppet
I’m just a toy, just a funny boy
That makes you laugh when you’re blue
I’ll be wonderful, do just what I’m told
I’ll do anything for you
I’m your puppet, I’m your puppet
Cost: Free, with suggested $3 donation
Hours: Fri, Sat, Sun 12-5, Late Apr-Mid Nov
Food & Drink? Kathy John’s right up Route 44
You’ll like it if: You like puppets, duh
You won’t like it if: You feel like a puppet
For the Curious: